Toutes peintures ā l'huile d'Antonello da Messina


ID Image Painting(From A to Z)    Details 
94654  
Antonello da Messina, Annunciation
 
 Annunciation   1474 Type Oil on panel Dimensions 180 cm x 180 cm (71 in x 71 in) cyf
38440  
Antonello da Messina, Antonello there measuring, madonna Annunziata
 
 Antonello there measuring, madonna Annunziata   mk137 ca. 1475 oils on wood chalkboard 45x34.5cm Galleria Nazionale della Sicilla, Palermo
53706  
Antonello da Messina, Bebadelsen
 
 Bebadelsen   mk34 about 1465 45x34cm
4819  
Antonello da Messina, Christ at the Column (detail)
 
 Christ at the Column (detail)   c. 1475-1479 Oil on wood, 25,8 x 21 cm Mus??e du Louvre, Paris
84319  
Antonello da Messina, Christ Blessing
 
 Christ Blessing   1465(1465) Medium Oil on wood Dimensions 38.7 x 29.8 cm cyf
42904  
Antonello da Messina, Christ Crucified
 
 Christ Crucified   mk170 Dated 1475 Oil on wood
55959  
Antonello da Messina, Condottiero
 
 Condottiero   mk247 1475,oil on wood,14x12 in,36x30.5 cm,louvre,paris,france
4822  
Antonello da Messina, Crucifixion  dfgd
 
 Crucifixion dfgd   1475 Oil on panel 52.5 x 42.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
4821  
Antonello da Messina, Crucifixion 111
 
 Crucifixion 111   1475 Wood, 42 x 25,5 cm National Gallery, London
87887  
Antonello da Messina, Ecce Homo
 
 Ecce Homo   Date 1474(1474) Medium Oil on wood Dimensions Deutsch: 39,7 x 32,7 cm cjr
94655  
Antonello da Messina, Ecce Homo
 
 Ecce Homo   1475 Type Oil on panel Dimensions 48.5 cm x 38 cm (19.1 in x 15 in) cyf
39584  
Antonello da Messina, Madonna with SS Nicholas of Bari,Anastasia
 
 Madonna with SS Nicholas of Bari,Anastasia   mk150 1475/6 115/56x133.6cm
87926  
Antonello da Messina, Maria der Verkundigung
 
 Maria der Verkundigung   1475(1475) Medium Oil on wood cjr
98161  
Antonello da Messina, Maria der Verkundigung
 
 Maria der Verkundigung   1473(1473) Medium oil on panel Dimensions 43 x 32 cm cyf
42921  
Antonello da Messina, Portrai of a Man
 
 Portrai of a Man   mk170 circa 1475 Oil on poplar 35.6x25.4cm
31306  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   nn07 c.1475 36x25cm
40237  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   mk156 1475 Oil on panel 36x30cm
63537  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   1474 Oil on wood, 32 x 26 cm Staatliche Museen, Berlin The painting is one of the portraits which were famed for their realism. Due to his knowledge of Flemish pictures, the painter had made a decisive contribution to the spreading and perfection in Italy of what was at that time the new medium of oil painting, and normally depicted figures in three quarter life-size as statue-like half-length portraits in front of a barrier. As in this portrait, the face is particularly emphasized by the dark background and simple headgear, with the eyes directed straight at the observer.Artist:ANTONELLO da Messina Title: Portrait of a Man Painted in 1451-1500 , Italian - - painting : portrait
79671  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   1473(1473) Medium Oil on panel cyf
79859  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   c.1465-70 Oil on panel cjr
84830  
Antonello da Messina, Portrait of a Man
 
 Portrait of a Man   1470(1470) Medium Oil on wood Dimensions 27 x 20.6 cm (10.6 x 8.1 in) cyf
4826  
Antonello da Messina, Portrait of a Man  jj
 
 Portrait of a Man jj   c. 1475 Oil on panel, 36 x 25 cm National Gallery, London
4825  
Antonello da Messina, Portrait of a Man  kjjjkj
 
 Portrait of a Man kjjjkj   c. 1475 Oil on wood Galleria Borghese, Rome
4820  
Antonello da Messina, Portrait of a Man (Il Condottiere)
 
 Portrait of a Man (Il Condottiere)   1475 Oil on wood, 35 x 38 cm Mus??e du Louvre, Paris
20075  
Antonello da Messina, Portrait of a Man (mk05)
 
 Portrait of a Man (mk05)   1475 Wood 14 1/4 x 12''(36 x 30 cm)Entered the Louvre in 1865
4824  
Antonello da Messina, Portrait of a Man hh
 
 Portrait of a Man hh   1474 Oil on wood, 32 x 26 cm Staatliche Museen, Berlin
2881  
Antonello da Messina, Portrait of a Young Man
 
 Portrait of a Young Man   1465 National Gallery, London
79932  
Antonello da Messina, Portrat eines Mannes
 
 Portrat eines Mannes   1474 - 1475 Medium Oil on panel Dimensions Deutsch: 30 x 24 cm cyf
93474  
Antonello da Messina, Portrat eines Mannes
 
 Portrat eines Mannes   1474 - 1475 Porträt eines Mannes Medium oil on panel Dimensions Deutsch: 30 x 24 cm cjr
38473  
Antonello da Messina, Portrat of a man
 
 Portrat of a man   mk137 1475 oils on wood chalkboard 36x30cm muse you Louvre, Paris
53707  
Antonello da Messina, Portratt of young man
 
 Portratt of young man   mk234 aout 1465 35x25cm
55958  
Antonello da Messina, Prtrait of a Man
 
 Prtrait of a Man   mk247 c.1475,oil on poplar,14x10 in,36x25.5 cm,national gallery,london,uk
33414  
Antonello da Messina, Sacra Conversazione
 
 Sacra Conversazione   mk86 1475/76 Tempera on wood Saints Nicholas and Anastasia 56x35cm Virgin and Child 115x63cm
21240  
Antonello da Messina, Sacra Conversazione (mk08)
 
 Sacra Conversazione (mk08)   Tempera on wood.Saints Dominic and Ursula 57x36cm Vienna ,Kunsthistorisches Museum
3266  
Antonello da Messina, Saint Jerome in his Study
 
 Saint Jerome in his Study   c1475-76 National Gallery, London
42923  
Antonello da Messina, Saint Jerome in His Study
 
 Saint Jerome in His Study   mk170 circa 1475 Oi lon lime 45.7x36.2cm
23249  
Antonello da Messina, Saint Jerome in his Study (nn03)
 
 Saint Jerome in his Study (nn03)   c 1475-6 Oil on panel h46 x w36.5 cm h18 x w14 1/4in National Gallery,London
90598  
Antonello da Messina, Salvator mundi
 
 Salvator mundi   1465(1465) Medium oil on panel cyf
86646  
Antonello da Messina, Salvator mundi, Detail
 
 Salvator mundi, Detail   Date 1465(1465) Medium Oil on wood cjr
4818  
Antonello da Messina, San Cassiano Altar
 
 San Cassiano Altar   1475-76 Oil on panel Kunsthistorisches Museum, Vienna
40240  
Antonello da Messina, San Cassiano Altar
 
 San Cassiano Altar   mk156 1475-1476 Oil on panel 115x65cm
2878  
Antonello da Messina, San Cassiano Altarpiece
 
 San Cassiano Altarpiece   1475-76 Art History Museum, Vienna
4828  
Antonello da Messina, St Jerome in his Study
 
 St Jerome in his Study   c. 1460 Wood, 46 x 36,5 cm National Gallery, London
33411  
Antonello da Messina, St Jerome in His Study
 
 St Jerome in His Study   mk86 c.1456 Tempera on wood 46x36cm London,National Gallery
84580  
Antonello da Messina, St Jerome in his Study
 
 St Jerome in his Study   Date ca. 1460(1460) Medium Oil on wood Dimensions Height: 46 cm (18.1 in). Width: 36 cm (14.2 in). cjr
88443  
Antonello da Messina, St Jerome in his Study
 
 St Jerome in his Study   1460(1460) Medium Oil on wood cyf
21237  
Antonello da Messina, St Jerome in His Study (mk08)
 
 St Jerome in His Study (mk08)   C.1456 Tempera on wood 46x36cm London National Gallery
21239  
Antonello da Messina, St Sebasian (mk08)
 
 St Sebasian (mk08)   c,1476 Tempera on wood transferred to canvas 171x86cm Dresden,Gemaldegalerie Alte Meister
33413  
Antonello da Messina, St Sebastian
 
 St Sebastian   mk86 c.1476 Tempera on wood transferred to canvas 171x86cm Dresden,Gemaldegalerie Alte Meister
40245  
Antonello da Messina, St Sebastian
 
 St Sebastian   mk156 c.1476 Panel transposed on canvas 171x85cm
91187  
Antonello da Messina, St Sebastian
 
 St Sebastian   between 1476(1476) and 1477(1477) Medium Oil on canvas transferred from panel Dimensions Height: 171 cm (67.3 in). Width: 85.5 cm (33.7 in). cyf
4827  
Antonello da Messina, St Sebastian jj
 
 St Sebastian jj   1476-77 Oil on canvas transferred from panel, 171 x 85,5 cm Gemäldegalerie, Dresden
2882  
Antonello da Messina, St.Jerome in his Study
 
 St.Jerome in his Study   National Gallery, London
41132  
Antonello da Messina, The Dead Christ
 
 The Dead Christ   mk157 1475-76 Oil on wood 117x85cm
4823  
Antonello da Messina, The Dead Christ Supported by an Angel
 
 The Dead Christ Supported by an Angel   1475-78 Panel, 74 x 51 cm Museo del Prado, Madrid
28606  
Antonello da Messina, The Dead Christ Supported by an Angel
 
 The Dead Christ Supported by an Angel   mk61 c.1476 Oil on panel 74x51cm
2880  
Antonello da Messina, Virgin Annunciate
 
 Virgin Annunciate   1465 Galleria Nazionale della Sicilia
33412  
Antonello da Messina, Virgin Annunciate
 
 Virgin Annunciate   mk86 c.1475 Oil on wood 45x34.5cm Palermo,Galleria Nazionale della Sicilia
40236  
Antonello da Messina, Virgin Annunciate
 
 Virgin Annunciate   mk156 1475 Oil on panel 45x135cm
86600  
Antonello da Messina, Virgin Annunciate
 
 Virgin Annunciate   Date c. 1476(1476) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 34.5 cm (13.6 in). cjr
21238  
Antonello da Messina, Virgin Annunciate (mk08)
 
 Virgin Annunciate (mk08)   c.1475 Oil on wood 45x34.5cm Palermo,Galleria Nazionale della sicilia
4830  
Antonello da Messina, Virgin Annunciate hhh
 
 Virgin Annunciate hhh   c. 1476 Oil on wood, 45 x 34,5 cm Museo Nazionale, Palermo
2879  
Antonello da Messina, Virgin of the Annunciation
 
 Virgin of the Annunciation   Pinakothek, Munich
4829  
Antonello da Messina, Virgin of the Annunciation fvv
 
 Virgin of the Annunciation fvv   Oil on panel Alte Pinakothek, Munich

Antonello da Messina
1430-1479 Italian Antonello da Messina Galleries Antonello was born at Messina around 1429-1431, to Giovanni de Antonio Mazonus and Garita (Margherita). He was probably apprenticed in his native city and in Palermo. Around the year 1450, according to a 1524 letter of the Neapolitan humanist Pietro Summonte,[1] he was a pupil of the painter Niccol?? Colantonio at Naples, then one of the most active centres of Renaissance arts. Around 1455 he painted the so-called Sibiu Crucifixion, which was inspired by the Flemish Calvaries and is housed in the Muzeul de Art?? in Bucharest. Of the same years is the Crucifixion in the Royal Museum of Antwerp: his early works shows a marked Flemish influence, which it is now understood he derived from his master Colantonio and from works by Rogier van der Weyden and Jan van Eyck that belonged to Colantonio's patron, Alfonso V of Aragon; his biographer Vasari remarked that Antonello saw at Naples an oil painting by Jan Van Eyck (the "Lomellini Tryptych") belonging to King Alphonso of Aragon; Vasari's further narrative, that being struck by the new method, set out for The Netherlands to acquire a knowledge of the process from Van Eyck's disciples is discredited today. Another theory, supported only by vague documentary evidence, suggests that in 1456 Antonello visited Milan, where he might have met Van Eyck's most accomplished follower, Petrus Christus. Since Antonello was one of the first Italians to master Eyckian oil painting, and Christus was the first Netherlandish painter to learn Italian linear perspective, their meeting is a tempting answer to both questions. But in fact, neither artist is known for certain to have been in Milan at the time. The following year, Antonello received his first commission as an independent artist, a banner for the Confraternit?? di San Michele dei Gerbini in Reggio Calabria. At this date, he was already married, and his son Jacobello had been born. In 1460, his father is mentioned leasing a brigantine to bring back Antonello and his family from Amaltea, a town in Calabria. In that year, Antonello painted the so-called Salting Madonna, in which standard iconography and Flemish style are backed by a greater attention in the volumetric proportions of the figures, probably coming from his knowledge of some works by Piero della Francesca. Also from around 1460 are the two small panels depicting Abraham Served by the Angels and St. Jerome Penitent now in the Museo Nazionale della Magna Grecia in Reggio Calabria. In 1461 his younger brother Giordano entered Antonello's workshop, signing a three-years' contract. Of that year is a Madonna with Child for the Messinese nobleman Giovanni Mirulla, now lost. Between 1465-1470, Antonello finished a Portrait of a Man now at Cefal??. His portraits are noteworthy for his characteristic use of the three-quarter view, typical of the Flemish School, whereas almost all Italian painters adopted the medal profile pose. Antonello travelled to Venice around 1470, to see Giovanni Bellini's paintings. The Palermo Annunciation.In this year he executed his first signed and dated work, the Salvator Mundi. Back at Sicily, Antonello finished the St. Gregory's Polyptych. In 1474, he painted the Annunciation, now in Syracuse, and the St. Jerome in His Study, one of his most famous paintings. The following year he began his regular sojourn in Venice, where he remained until the fall of 1476. His works of this period begin to show a greater attention to the human figure, regarding both anatomy and expressivity, according to the influence of Piero della Francesca and Bellini. His most famous pictures dating from this period include the Condottiero (Louvre, illustration), the San Cassiano Altarpiece and the St. Sebastian (see selected works for details). The San Cassiano Altarpiece was especially influential on Venetian painters, as it was one of the first of the large compositions in the sacra conversazione format which was perfected by Giovanni Bellini (Antonello's surviving work in Vienna is only a fragment of the much larger original). Antonello returned briefly to Sicily in 1476, where he painted the famous Virgin Annunciate, now in the Palazzo Abatellis at Palermo. He died at Messina in 1479: his testament dates from February of that year, and he is documented as no longer alive two months later. Some of his last works remained unfinished, but were completed by his son Jacobello.



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